Album lore

พลิ้วไหวในสายลม, released in April 1992 on Music Train, collects ten tracks that straddle luk thung, phleng phuea chiwit, and Thai pop. สุชาติ ชวางกูร’s voice anchors songs such as “สายชล” and “รักฉันนั้นเพื่อเธอ,” where traditional rural themes meet the more polished production values of early ’90s Thai popular music. The record’s blend of plaintive melodies and rhythmic nuance reflects its era’s shifting musical currents.The album’s instrumentation and arrangements suggest a studio session comfortable with both folk idioms and contemporary pop sensibilities. Though it remains a modest presence in the canon—garnering some 1,300 listeners on Last.fm—the record offers a window onto Thailand’s musical dialogues of the early 1990s. Tracks like “แม่สาย” and “วานลมจูบ” further reveal a reverence for lyrical storytelling set against accessible, heartfelt compositions.

Album lore

พลิ้วไหวในสายลม, released in April 1992 on Music Train, collects ten tracks that straddle luk thung, phleng phuea chiwit, and Thai pop. สุชาติ ชวางกูร’s voice anchors songs such as “สายชล” and “รักฉันนั้นเพื่อเธอ,” where traditional rural themes meet the more polished production values of early ’90s Thai popular music. The record’s blend of plaintive melodies and rhythmic nuance reflects its era’s shifting musical currents.The album’s instrumentation and arrangements suggest a studio session comfortable with both folk idioms and contemporary pop sensibilities. Though it remains a modest presence in the canon—garnering some 1,300 listeners on Last.fm—the record offers a window onto Thailand’s musical dialogues of the early 1990s. Tracks like “แม่สาย” and “วานลมจูบ” further reveal a reverence for lyrical storytelling set against accessible, heartfelt compositions.