Album lore

Bien Sachero, issued in September 1997 on RGS Music / CBA, collects 24 tracks by Gustavo Palacio in the chamamé tradition. The album’s roster includes compositions such as "Costumbres de Mi Pago" and "Así Toca Pastor Luna," reflecting regional forms rooted in northeastern Argentina. This release stands as a steady document of Palacio’s engagement with local dance rhythms and melodies, delivered with an unvarnished sincerity.The featured track, "Faustino Lezcano," exemplifies the album’s straightforward approach to chamamé, emphasizing accordion-led arrangements and rhythmic patterns characteristic of the genre. Though modest in its circulation—registering minimal Last.fm activity—Bien Sachero remains a worthy artifact for collectors drawn to the lineage of Argentine folk music in the late 1990s.

Album lore

Bien Sachero, issued in September 1997 on RGS Music / CBA, collects 24 tracks by Gustavo Palacio in the chamamé tradition. The album’s roster includes compositions such as "Costumbres de Mi Pago" and "Así Toca Pastor Luna," reflecting regional forms rooted in northeastern Argentina. This release stands as a steady document of Palacio’s engagement with local dance rhythms and melodies, delivered with an unvarnished sincerity.The featured track, "Faustino Lezcano," exemplifies the album’s straightforward approach to chamamé, emphasizing accordion-led arrangements and rhythmic patterns characteristic of the genre. Though modest in its circulation—registering minimal Last.fm activity—Bien Sachero remains a worthy artifact for collectors drawn to the lineage of Argentine folk music in the late 1990s.