Stone Lions’ 2019 release Necking On And Kicking Off arrives on Pee Records, delivering eleven tracks of skate and pop punk with an unvarnished edge. The band’s lean arrangements and brisk tempos recall the fervor of late-90s underground punk scenes, while tracks like "I Remember" balance urgency with melodic hooks. Recorded and released in the late 2010s, this album channels a familiar punk lineage without pretense, grounded firmly in the DIY ethos.Listen for the interplay between jangly guitars and driving rhythms across songs such as "Burnt Out Lights" and "Party Like Kate Moss." The record’s compact runtime and straightforward production emphasize immediacy over polish, making it a suitable artifact for crate-diggers seeking punk records that carry the spirit of skate culture’s soundtrack. Necking On And Kicking Off holds its place quietly but surely within the genre’s ongoing conversation.

Stone Lions’ 2019 release Necking On And Kicking Off arrives on Pee Records, delivering eleven tracks of skate and pop punk with an unvarnished edge. The band’s lean arrangements and brisk tempos recall the fervor of late-90s underground punk scenes, while tracks like "I Remember" balance urgency with melodic hooks. Recorded and released in the late 2010s, this album channels a familiar punk lineage without pretense, grounded firmly in the DIY ethos.Listen for the interplay between jangly guitars and driving rhythms across songs such as "Burnt Out Lights" and "Party Like Kate Moss." The record’s compact runtime and straightforward production emphasize immediacy over polish, making it a suitable artifact for crate-diggers seeking punk records that carry the spirit of skate culture’s soundtrack. Necking On And Kicking Off holds its place quietly but surely within the genre’s ongoing conversation.