Album lore

Jill Kroesen’s I Really Want To Bomb You, issued in September 2022 by Sundazed Music in partnership with Modern Harmonic, archives a distinct voice from New York’s no wave and experimental post-punk milieu. The album assembles 23 tracks, including the featured “Wayne Hayes Blues,” where Kroesen’s vocal delivery weaves through angular rhythms and dissonant textures, emblematic of the scene’s unorthodox approach. Her presence as a female vocalist within this canon signals a particular resonance in the lineage of late 20th-century underground music.The record’s raw immediacy and fragmented arrangements recall the city’s abrasive artistic ferment, eschewing polish for a more visceral communication. Though the release is contemporary, the material channels the ethos and spirit of the no wave era, preserving its austere and confrontational character. I Really Want To Bomb You stands as a document for collectors and excavators drawn to the experimental edges of post-punk’s New York chapter.

Album lore

Jill Kroesen’s I Really Want To Bomb You, issued in September 2022 by Sundazed Music in partnership with Modern Harmonic, archives a distinct voice from New York’s no wave and experimental post-punk milieu. The album assembles 23 tracks, including the featured “Wayne Hayes Blues,” where Kroesen’s vocal delivery weaves through angular rhythms and dissonant textures, emblematic of the scene’s unorthodox approach. Her presence as a female vocalist within this canon signals a particular resonance in the lineage of late 20th-century underground music.The record’s raw immediacy and fragmented arrangements recall the city’s abrasive artistic ferment, eschewing polish for a more visceral communication. Though the release is contemporary, the material channels the ethos and spirit of the no wave era, preserving its austere and confrontational character. I Really Want To Bomb You stands as a document for collectors and excavators drawn to the experimental edges of post-punk’s New York chapter.