Album lore

Nozhet El Nofous, issued by Simsara Records in June 2022, finds Nancy Mounir weaving plunderphonic tapestries from eight tracks of layered sampling and vocal exploration. The album’s pieces—among them “Gannentini,” “Taala Ya Shater,” and “Wallah Testahel Ya Albi”—delve into realms of experimental sound marked by Mounir’s distinctive female vocal presence. The record’s lean toward longing is palpable, its fragments gathered and reassembled with a meticulous hand.Mounir’s approach here resists straightforward categorization, instead favoring an assemblage of voices and textures that challenge and reward repeated listening. With nearly 20,000 Last.fm scrobbles, Nozhet El Nofous holds a modest but discerning audience, affirming its place in the lineage of contemporary experimental plunderphonics.

Album lore

Nozhet El Nofous, issued by Simsara Records in June 2022, finds Nancy Mounir weaving plunderphonic tapestries from eight tracks of layered sampling and vocal exploration. The album’s pieces—among them “Gannentini,” “Taala Ya Shater,” and “Wallah Testahel Ya Albi”—delve into realms of experimental sound marked by Mounir’s distinctive female vocal presence. The record’s lean toward longing is palpable, its fragments gathered and reassembled with a meticulous hand.Mounir’s approach here resists straightforward categorization, instead favoring an assemblage of voices and textures that challenge and reward repeated listening. With nearly 20,000 Last.fm scrobbles, Nozhet El Nofous holds a modest but discerning audience, affirming its place in the lineage of contemporary experimental plunderphonics.