Album lore

Out of Time, issued in 2017 on Bellring, collects twelve tracks by Hugo Kant, weaving through trip hop, nu jazz, and downtempo. The album’s palette ranges from the shadowed pulse of “Entering The Black Hole” to the airy, rhythmic interplay of “Clouds,” a standout cut that balances subtle percussion with muted horns and electronic textures. Kant’s production leans into restrained grooves and smoky atmospheres, evoking late-night urban scenes without excess.The record’s sequencing unfolds with measured deliberation, from the contemplative “The Earth Dance” to the layered synths of “Low Gravity” and the title track’s reflective mood. Out of Time fits squarely within the lineage of late 2010s European trip hop, favoring nuanced instrumental interplay over vocal prominence. With nearly half a million Last.fm scrobbles, it remains a favored artifact among crate-diggers seeking downtempo records that reward repeated listening.

Album lore

Out of Time, issued in 2017 on Bellring, collects twelve tracks by Hugo Kant, weaving through trip hop, nu jazz, and downtempo. The album’s palette ranges from the shadowed pulse of “Entering The Black Hole” to the airy, rhythmic interplay of “Clouds,” a standout cut that balances subtle percussion with muted horns and electronic textures. Kant’s production leans into restrained grooves and smoky atmospheres, evoking late-night urban scenes without excess.The record’s sequencing unfolds with measured deliberation, from the contemplative “The Earth Dance” to the layered synths of “Low Gravity” and the title track’s reflective mood. Out of Time fits squarely within the lineage of late 2010s European trip hop, favoring nuanced instrumental interplay over vocal prominence. With nearly half a million Last.fm scrobbles, it remains a favored artifact among crate-diggers seeking downtempo records that reward repeated listening.