Album lore

Hors D’ouvres, issued in 2009 on Paw Tracks, collects ten tracks by Tickley Feather, a figure aligned with the New Weird America and freak folk currents that persisted in the late 2000s. The record’s lo-fi textures and experimental leanings unfold across titles such as “Trashy Boys” and “Tickley Plays Guitar,” revealing a penchant for intimate, unvarnished arrangements that emphasize idiosyncratic songcraft over studio polish.The album’s modest footprint—some 8,000 Last.fm scrobbles—belies its quiet resonance among listeners attuned to offbeat folk gestures and rough-hewn instrumentation. Hors D’ouvres situates itself in a lineage that privileges personal expression and the tactile qualities of home recording, with Paw Tracks providing a fitting home for its peculiar charm.

Album lore

Hors D’ouvres, issued in 2009 on Paw Tracks, collects ten tracks by Tickley Feather, a figure aligned with the New Weird America and freak folk currents that persisted in the late 2000s. The record’s lo-fi textures and experimental leanings unfold across titles such as “Trashy Boys” and “Tickley Plays Guitar,” revealing a penchant for intimate, unvarnished arrangements that emphasize idiosyncratic songcraft over studio polish.The album’s modest footprint—some 8,000 Last.fm scrobbles—belies its quiet resonance among listeners attuned to offbeat folk gestures and rough-hewn instrumentation. Hors D’ouvres situates itself in a lineage that privileges personal expression and the tactile qualities of home recording, with Paw Tracks providing a fitting home for its peculiar charm.