Album lore

Canções para Ninar, issued in 2018 on Tomaz Lima’s own label, assembles thirteen tracks that draw from Brazilian folk traditions and Indian mantra influences. The album includes familiar Brazilian lullabies such as “Teresinha de Jesus” and “Se Essa Rua Fosse Minha,” rendered with a meditative restraint that aligns with mantra practice. The arrangements favor gentle repetition and a serene vocal delivery, suitable for quiet reflection or meditation.Lima’s approach bridges two cultural lineages—Brazilian vernacular song and Indian spiritual music—without overt fusion, preserving the integrity of both. The album’s modest circulation, with just over 6,000 listeners logged on Last.fm, marks it as a niche artifact for those attuned to devotional or mantra music with a Brazilian flavor. Its unadorned production and intimate pacing serve as a quiet signal within the broader canon of mantra-inspired recordings.

Album lore

Canções para Ninar, issued in 2018 on Tomaz Lima’s own label, assembles thirteen tracks that draw from Brazilian folk traditions and Indian mantra influences. The album includes familiar Brazilian lullabies such as “Teresinha de Jesus” and “Se Essa Rua Fosse Minha,” rendered with a meditative restraint that aligns with mantra practice. The arrangements favor gentle repetition and a serene vocal delivery, suitable for quiet reflection or meditation.Lima’s approach bridges two cultural lineages—Brazilian vernacular song and Indian spiritual music—without overt fusion, preserving the integrity of both. The album’s modest circulation, with just over 6,000 listeners logged on Last.fm, marks it as a niche artifact for those attuned to devotional or mantra music with a Brazilian flavor. Its unadorned production and intimate pacing serve as a quiet signal within the broader canon of mantra-inspired recordings.