Album lore

Stacey Kent’s The Boy Next Door (Remastered), issued by Candid in 2003, revisits a set of sixteen tracks that thread through French jazz, bossa nova, and smooth jazz with a vocal jazz sensibility. The remastering brings renewed clarity to Kent’s gentle phrasing across standards such as “The Best Is Yet To Come,” “Makin’ Whoopee,” and “People Will Say We’re In Love.” The album balances delicate arrangements with the warmth of Kent’s voice, capturing a late 20th-century jazz aesthetic that nods to both classic and continental influences.Among the selections, “You’ve Got a Friend” stands out for its nuanced delivery, offering a tender interpretation within the collection’s understated mood. The Boy Next Door remains a modest yet resonant artifact for those tracing the lineage of contemporary vocal jazz, particularly in its crossover appeal between English and French idioms. Its presence on Candid, a label known for its jazz catalog, situates the album firmly within the early 2000s jazz milieu, favored by listeners with a taste for smooth, melodic intimacies.

Album lore

Stacey Kent’s The Boy Next Door (Remastered), issued by Candid in 2003, revisits a set of sixteen tracks that thread through French jazz, bossa nova, and smooth jazz with a vocal jazz sensibility. The remastering brings renewed clarity to Kent’s gentle phrasing across standards such as “The Best Is Yet To Come,” “Makin’ Whoopee,” and “People Will Say We’re In Love.” The album balances delicate arrangements with the warmth of Kent’s voice, capturing a late 20th-century jazz aesthetic that nods to both classic and continental influences.Among the selections, “You’ve Got a Friend” stands out for its nuanced delivery, offering a tender interpretation within the collection’s understated mood. The Boy Next Door remains a modest yet resonant artifact for those tracing the lineage of contemporary vocal jazz, particularly in its crossover appeal between English and French idioms. Its presence on Candid, a label known for its jazz catalog, situates the album firmly within the early 2000s jazz milieu, favored by listeners with a taste for smooth, melodic intimacies.