Album lore

Angústia Nos Corações Da Tia, issued by Príncipe in late 2021, gathers four tracks that thread kuduro, uk funky, afro house, singeli, and gqom through a Portuguese lens. Tia Maria Produções crafts a concise statement with pieces like "Bend Down," where the pulse of tarraxinha and batida rhythms meets electronic production shaped for the dancefloor. The EP’s brevity belies its dense layering of percussive patterns and bass-driven motifs, reflecting the vitality of Lusophone electronic subgenres.Recorded and released amidst Portugal’s vibrant club scene, the record channels the grit and bounce familiar to aficionados of these interconnected styles. Tracks such as "Favela Maluca" and "Ele é bom" extend the signal with their syncopations and rhythmic interplay, nodding to both African and European urban dance cultures. This artifact, modest in scale but rich in cross-continental dialogue, offers a snapshot of contemporary hybrid club music firmly rooted in global rhythms.

Album lore

Angústia Nos Corações Da Tia, issued by Príncipe in late 2021, gathers four tracks that thread kuduro, uk funky, afro house, singeli, and gqom through a Portuguese lens. Tia Maria Produções crafts a concise statement with pieces like "Bend Down," where the pulse of tarraxinha and batida rhythms meets electronic production shaped for the dancefloor. The EP’s brevity belies its dense layering of percussive patterns and bass-driven motifs, reflecting the vitality of Lusophone electronic subgenres.Recorded and released amidst Portugal’s vibrant club scene, the record channels the grit and bounce familiar to aficionados of these interconnected styles. Tracks such as "Favela Maluca" and "Ele é bom" extend the signal with their syncopations and rhythmic interplay, nodding to both African and European urban dance cultures. This artifact, modest in scale but rich in cross-continental dialogue, offers a snapshot of contemporary hybrid club music firmly rooted in global rhythms.