Maladie d’amour, released in 2013 on Bravo musique, marks a notable entry in the indie québécois and chanson québécoise canon. Jimmy Hunt’s fourth studio album unfurls over 14 tracks, including “Nos corps,” where his voice threads through arrangements blending folk, indie pop, and rock elements. The record’s production balances rustic textures with melodic clarity, situating Hunt’s songwriting within a lineage that honors Québec’s chanson tradition while embracing contemporary indie sensibilities. The album’s instrumentation and lyrical focus often pivot around intimate narratives and subtle emotional shifts, as heard in songs like “Marie les bleus” and the title track, “Maladie d’amour.” With nearly 300,000 scrobbles on Last.fm, the record has resonated with a dedicated audience drawn to its earnestness and the careful craft of its compositions. For crate-diggers and boutique DJs, Maladie d’amour offers a rich artifact that bridges folk-rooted storytelling and the modern indie ethos of early 2010s Québec.

Maladie d’amour, released in 2013 on Bravo musique, marks a notable entry in the indie québécois and chanson québécoise canon. Jimmy Hunt’s fourth studio album unfurls over 14 tracks, including “Nos corps,” where his voice threads through arrangements blending folk, indie pop, and rock elements. The record’s production balances rustic textures with melodic clarity, situating Hunt’s songwriting within a lineage that honors Québec’s chanson tradition while embracing contemporary indie sensibilities. The album’s instrumentation and lyrical focus often pivot around intimate narratives and subtle emotional shifts, as heard in songs like “Marie les bleus” and the title track, “Maladie d’amour.” With nearly 300,000 scrobbles on Last.fm, the record has resonated with a dedicated audience drawn to its earnestness and the careful craft of its compositions. For crate-diggers and boutique DJs, Maladie d’amour offers a rich artifact that bridges folk-rooted storytelling and the modern indie ethos of early 2010s Québec.