Album lore

Antológico, issued by Quinteto Tiempo in 2006 on FONOCAL, assembles sixteen pieces rooted in the Argentinean nueva trova and folk traditions. The selections traverse styles from folk and trova to folclor andino, evoking the regional textures of Latin folklore. Tracks such as “Fiesta de Guardar” and “Golondrinas del Iguazú” reflect the group’s engagement with the nueva canción movement, channeling the social and cultural currents that shaped Argentina’s musical landscape.The album’s instrumentation and arrangements foreground acoustic string work and vocal harmonies, a hallmark of Quinteto Tiempo’s approach. Recorded with a respect for the lineage of Argentine folk, Antológico offers a measured yet vivid document of the genre’s ongoing vitality. The record remains a modest but resonant artifact for collectors attuned to South American folk traditions.

Album lore

Antológico, issued by Quinteto Tiempo in 2006 on FONOCAL, assembles sixteen pieces rooted in the Argentinean nueva trova and folk traditions. The selections traverse styles from folk and trova to folclor andino, evoking the regional textures of Latin folklore. Tracks such as “Fiesta de Guardar” and “Golondrinas del Iguazú” reflect the group’s engagement with the nueva canción movement, channeling the social and cultural currents that shaped Argentina’s musical landscape.The album’s instrumentation and arrangements foreground acoustic string work and vocal harmonies, a hallmark of Quinteto Tiempo’s approach. Recorded with a respect for the lineage of Argentine folk, Antológico offers a measured yet vivid document of the genre’s ongoing vitality. The record remains a modest but resonant artifact for collectors attuned to South American folk traditions.