Album lore

Bachata A Su Tiempo, issued by J&N Records in late October 1998, gathers eleven tracks that straddle the territories of bachata, merengue, and salsa with an ease befitting Alex Bueno’s seasoned hand. The album holds to the traditional forms of Dominican and wider Caribbean popular music while threading in a polished sensibility that broadens its appeal. Notable is “Perdoname,” a featured cut that lays bare the emotive core of the record with its plaintive vocal delivery and measured instrumentation.Bueno’s voice, known for its clarity and warmth, anchors compositions such as “Busca un Confidente” and “Tengo Pero Me Faltas Tu,” where guitar and percussion interplay to support the narrative lyricism. The record sits comfortably within the late 1990s Latin music milieu, serving both dancers and attentive listeners. With over 7,000 listeners and 34,000 scrobbles on Last.fm, this album maintains a modest but persistent resonance among aficionados of the genre.

Album lore

Bachata A Su Tiempo, issued by J&N Records in late October 1998, gathers eleven tracks that straddle the territories of bachata, merengue, and salsa with an ease befitting Alex Bueno’s seasoned hand. The album holds to the traditional forms of Dominican and wider Caribbean popular music while threading in a polished sensibility that broadens its appeal. Notable is “Perdoname,” a featured cut that lays bare the emotive core of the record with its plaintive vocal delivery and measured instrumentation.Bueno’s voice, known for its clarity and warmth, anchors compositions such as “Busca un Confidente” and “Tengo Pero Me Faltas Tu,” where guitar and percussion interplay to support the narrative lyricism. The record sits comfortably within the late 1990s Latin music milieu, serving both dancers and attentive listeners. With over 7,000 listeners and 34,000 scrobbles on Last.fm, this album maintains a modest but persistent resonance among aficionados of the genre.