Album lore

Convicciones, issued in July 1997 by Irco Video, assembles thirteen tracks that navigate the intersections of tango, candombe, murga, and Latin jazz. The compilation captures a late-90s urban pulse, with pieces like "Ultimatum" punctuating the set with a contemplative groove grounded in ambient jazz textures. Titles such as "Insólito Buenos Aires" and "Himno a Buenos Aires" evoke the city’s layered musical heritage, while "Tango Barroco" suggests an interplay between classical form and traditional dance rhythms.Though the record remains a modest node in the wider canon, its selections reflect the diverse rhythms circulating in Argentina’s capital during this period. The album’s modest footprint—reflected in its scant Last.fm presence—belies its value as a document of regional styles converging under a broad Latin jazz umbrella. For crate-diggers and boutique DJs, Convicciones offers fragments of Buenos Aires’s late 20th-century soundscape, lodged between genres yet firmly rooted in place.

Album lore

Convicciones, issued in July 1997 by Irco Video, assembles thirteen tracks that navigate the intersections of tango, candombe, murga, and Latin jazz. The compilation captures a late-90s urban pulse, with pieces like "Ultimatum" punctuating the set with a contemplative groove grounded in ambient jazz textures. Titles such as "Insólito Buenos Aires" and "Himno a Buenos Aires" evoke the city’s layered musical heritage, while "Tango Barroco" suggests an interplay between classical form and traditional dance rhythms.Though the record remains a modest node in the wider canon, its selections reflect the diverse rhythms circulating in Argentina’s capital during this period. The album’s modest footprint—reflected in its scant Last.fm presence—belies its value as a document of regional styles converging under a broad Latin jazz umbrella. For crate-diggers and boutique DJs, Convicciones offers fragments of Buenos Aires’s late 20th-century soundscape, lodged between genres yet firmly rooted in place.