Album lore

Djandjou, issued in 2001 on JPS Productions, gathers ten tracks that navigate the rhythms of coupé décalé, timba, and ndombolo. Taboth Cadence, the credited artist, offers a blend of West African dancefloor staples with a slight nod to Caribbean timba, underscoring the album’s cross-continental pulse. The featured cut "Beauté" exemplifies this interplay with its intricate percussion and buoyant horn lines.While the album’s reach is modest, with a small but attentive listenership on platforms like Last.fm, it remains a noteworthy artifact for collectors tracing the early 2000s evolution of dance music in Francophone Africa. Tracks such as "Petit Koffi" and "Jeune fille" emphasize rhythmic complexity and call-and-response vocals, framing Djandjou as a record that sits comfortably within a lineage of club-oriented African grooves.

Album lore

Djandjou, issued in 2001 on JPS Productions, gathers ten tracks that navigate the rhythms of coupé décalé, timba, and ndombolo. Taboth Cadence, the credited artist, offers a blend of West African dancefloor staples with a slight nod to Caribbean timba, underscoring the album’s cross-continental pulse. The featured cut "Beauté" exemplifies this interplay with its intricate percussion and buoyant horn lines.While the album’s reach is modest, with a small but attentive listenership on platforms like Last.fm, it remains a noteworthy artifact for collectors tracing the early 2000s evolution of dance music in Francophone Africa. Tracks such as "Petit Koffi" and "Jeune fille" emphasize rhythmic complexity and call-and-response vocals, framing Djandjou as a record that sits comfortably within a lineage of club-oriented African grooves.