$41.00
1 in stock
Cart is saved on this device. Checkout prepares your order summary. Refresh this page for the latest stock and price.
Featured track
Condition
$41.00
1 in stock
Cart is saved on this device. Checkout prepares your order summary. Refresh this page for the latest stock and price.
Featured track
Condition
Album lore
Aurelio Voltaire’s 2008 release To The Bottom Of The Sea on Mars Needs Music anchors itself firmly in the dark cabaret and gothic folk lineages. This twelve-track set blends accordion, folk motifs, and a theatrical flair with themes of piracy and maritime doom. Notable is “Death Death (Devil, Devil, Evil, Evil Song),” a closing number that distills the album’s macabre wit and narrative drive. The record’s titles—such as “The Industrial Revolution (And How It Ruined My Life)” and “The Beast of Pirate’s Bay”—evoke an old-world sensibility steeped in historical grievance and gothic storytelling.Voltaire’s voice carries a sardonic timbre across arrangements that range from accordion-led ballads to tempestuous, sea-battered anthems. The album’s production and songwriting suggest a solo artist comfortable merging folk instrumentation with the theatricality of darkwave and cabaret, crafting a signal that appeals to listeners drawn to gothic subcultures and pirate mythos alike. This artifact holds steady in Voltaire’s canon, offering a particular resonance for those who collect the shadowy corners of alternative folk and gothic music.
How did this get here?
| SKU | SPOT-6BhjjEMSlbpKhHuXpR5UKp |
|---|
Quick preview
Listen to a sample on YouTube — opens in a new tab; own this release here for the full listening experienceOpen this track on Spotify
Album lore
Aurelio Voltaire’s 2008 release To The Bottom Of The Sea on Mars Needs Music anchors itself firmly in the dark cabaret and gothic folk lineages. This twelve-track set blends accordion, folk motifs, and a theatrical flair with themes of piracy and maritime doom. Notable is “Death Death (Devil, Devil, Evil, Evil Song),” a closing number that distills the album’s macabre wit and narrative drive. The record’s titles—such as “The Industrial Revolution (And How It Ruined My Life)” and “The Beast of Pirate’s Bay”—evoke an old-world sensibility steeped in historical grievance and gothic storytelling.Voltaire’s voice carries a sardonic timbre across arrangements that range from accordion-led ballads to tempestuous, sea-battered anthems. The album’s production and songwriting suggest a solo artist comfortable merging folk instrumentation with the theatricality of darkwave and cabaret, crafting a signal that appeals to listeners drawn to gothic subcultures and pirate mythos alike. This artifact holds steady in Voltaire’s canon, offering a particular resonance for those who collect the shadowy corners of alternative folk and gothic music.
How did this get here?
| SKU | SPOT-6BhjjEMSlbpKhHuXpR5UKp |
|---|
Quick preview
Listen to a sample on YouTube — opens in a new tab; own this release here for the full listening experienceOpen this track on Spotify