Album lore

Isso vai dar repercussão, issued in November 2006 by Tratore, gathers Naná Vasconcelos and Itamar Assumpção in a concise set of seven tracks. The album distills the pair’s shared roots in Brazilian jazz and avant-garde MPB (Música Popular Brasileira) into intimate sessions, where Vasconcelos’s deft percussion and vocalisations intertwine with Assumpção’s idiosyncratic songwriting and delivery. The record is notable for its spare arrangements, often evoking a lullaby-like quietude that belies the complexity beneath.The featured track, "Fim de festa," exemplifies the album’s restrained yet textured approach. Both artists were central figures in São Paulo’s alternative music scene from the late 20th century onward, and this collaboration—released late in their careers—offers a distilled glimpse of their enduring musical dialogue. With relatively few tracks and a modest run time, Isso vai dar repercussão stands as a discreet artifact within the broader Brazilian jazz and new MPB canon.

Album lore

Isso vai dar repercussão, issued in November 2006 by Tratore, gathers Naná Vasconcelos and Itamar Assumpção in a concise set of seven tracks. The album distills the pair’s shared roots in Brazilian jazz and avant-garde MPB (Música Popular Brasileira) into intimate sessions, where Vasconcelos’s deft percussion and vocalisations intertwine with Assumpção’s idiosyncratic songwriting and delivery. The record is notable for its spare arrangements, often evoking a lullaby-like quietude that belies the complexity beneath.The featured track, "Fim de festa," exemplifies the album’s restrained yet textured approach. Both artists were central figures in São Paulo’s alternative music scene from the late 20th century onward, and this collaboration—released late in their careers—offers a distilled glimpse of their enduring musical dialogue. With relatively few tracks and a modest run time, Isso vai dar repercussão stands as a discreet artifact within the broader Brazilian jazz and new MPB canon.