Album lore

Recorded for ECM and issued in April 2011, Post Scriptum collects fourteen pieces from the Wolfert Brederode Quartet, led by the Dutch pianist. The album unfolds with a measured poise typical of ECM’s aesthetic: subtle dynamics and spacious interplay define compositions such as “Angelico” and “November.” Brederode’s touch is at once delicate and deliberate, framing contemporary jazz within a quiet, introspective mood.The quartet’s approach favors clarity and restraint, with an emphasis on melodic development and rhythmic nuance. The recording captures a refined chamber jazz sensibility, where each instrument—piano, bass, drums, and saxophone—occupies its own space without excess. Listeners familiar with ECM’s catalog will find this album a worthy signal within the label’s lineage, offering a thoughtful meditation on modern jazz forms.

Album lore

Recorded for ECM and issued in April 2011, Post Scriptum collects fourteen pieces from the Wolfert Brederode Quartet, led by the Dutch pianist. The album unfolds with a measured poise typical of ECM’s aesthetic: subtle dynamics and spacious interplay define compositions such as “Angelico” and “November.” Brederode’s touch is at once delicate and deliberate, framing contemporary jazz within a quiet, introspective mood.The quartet’s approach favors clarity and restraint, with an emphasis on melodic development and rhythmic nuance. The recording captures a refined chamber jazz sensibility, where each instrument—piano, bass, drums, and saxophone—occupies its own space without excess. Listeners familiar with ECM’s catalog will find this album a worthy signal within the label’s lineage, offering a thoughtful meditation on modern jazz forms.