Russian Ecstasy, issued on Fuselab in September 2020, assembles ten tracks under the Broosnica nom de plume, threading lo-fi house with elements of witch house and IDM. The record’s palette includes fractured rhythms and murky textures that nod toward jungle and experimental electronic forms, a combination that resists straightforward categorization. Tracks like "Lyublyu" and "Feel So High" unfold with a hazy, tactile quality, while the title piece “Russian Ecstasy” distills the album’s mood into a dense, looped pulse.Though Broosnica’s output remains somewhat under the radar—Last.fm notes just over four thousand listeners—the record’s subtle interplay of synthetic grime and rhythmic irregularity rewards patient attention. It’s an artifact for those who seek electronic music’s shadowed corners, where the lo-fi aesthetic intersects with a spectral sense of groove and texture. The record’s resonance lies in its balance of roughness and precision, a signal from the margins of contemporary electronic production.

Russian Ecstasy, issued on Fuselab in September 2020, assembles ten tracks under the Broosnica nom de plume, threading lo-fi house with elements of witch house and IDM. The record’s palette includes fractured rhythms and murky textures that nod toward jungle and experimental electronic forms, a combination that resists straightforward categorization. Tracks like "Lyublyu" and "Feel So High" unfold with a hazy, tactile quality, while the title piece “Russian Ecstasy” distills the album’s mood into a dense, looped pulse.Though Broosnica’s output remains somewhat under the radar—Last.fm notes just over four thousand listeners—the record’s subtle interplay of synthetic grime and rhythmic irregularity rewards patient attention. It’s an artifact for those who seek electronic music’s shadowed corners, where the lo-fi aesthetic intersects with a spectral sense of groove and texture. The record’s resonance lies in its balance of roughness and precision, a signal from the margins of contemporary electronic production.