Album lore

Clay Edwards’ 2021 release Glaciers arrived on Firefly Entertainment AB as a sparse two-track offering. Clocking in with “Glaciers” and “Ice Sheet,” the record dwells in the IHOP (International House of Prayer) worship tradition, a niche where extended improvisational prayer and ambient textures often intertwine. The album’s modest scale and focus on devotional atmosphere place it firmly within that lineage.Though its audience remains specialized—evidenced by around 20,000 Last.fm listeners—the record’s restrained structure and solemn pacing invite close attention. Edwards’ work here is less a collection of songs than a pair of meditative signals, inviting reflection through minimal variation and steady tonal shifts. Glaciers stands as a quiet artifact for those interested in the overlap between worship music and ambient improvisation.

Album lore

Clay Edwards’ 2021 release Glaciers arrived on Firefly Entertainment AB as a sparse two-track offering. Clocking in with “Glaciers” and “Ice Sheet,” the record dwells in the IHOP (International House of Prayer) worship tradition, a niche where extended improvisational prayer and ambient textures often intertwine. The album’s modest scale and focus on devotional atmosphere place it firmly within that lineage.Though its audience remains specialized—evidenced by around 20,000 Last.fm listeners—the record’s restrained structure and solemn pacing invite close attention. Edwards’ work here is less a collection of songs than a pair of meditative signals, inviting reflection through minimal variation and steady tonal shifts. Glaciers stands as a quiet artifact for those interested in the overlap between worship music and ambient improvisation.