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Featured track
Condition
$41.00
1 in stock
Cart is saved on this device. Checkout prepares your order summary. Refresh this page for the latest stock and price.
Featured track
Condition
Album lore
Dynamite with a Laserbeam: Queen as Heard Through the Meat Grinder of Three One G collects sixteen interpretations of Queen songs, issued in 2002 by the San Diego-based label Three One G. The label, known for its roster of noise rock and avant-garde acts, presents a fractured relay of Queen’s catalog — from “Bohemian Rhapsody” and “Under Pressure” to “Bicycle Race” and “Crazy Little Thing Called Love.” Each track fractures the originals through the prisms of math rock and mathcore, with angular rhythms and abrasive textures interrupting familiar melodies.This compilation assembles a varied cast of artists from Three One G’s orbit, emphasizing discord and deconstruction over homage. The result is less a tribute than a reconstitution, where the operatic flair of Queen meets the frayed edges of early 2000s underground noise. The album’s 12,772 Last.fm scrobbles speak to a modest but attentive audience, drawn to its challenging approach to classic material.
How did this get here?
| SKU | SPOT-7A06pYWaXBZf6s5gSGUf8w |
|---|
Quick preview
Listen to a sample on YouTube — opens in a new tab; own this release here for the full listening experienceOpen this track on Spotify
Album lore
Dynamite with a Laserbeam: Queen as Heard Through the Meat Grinder of Three One G collects sixteen interpretations of Queen songs, issued in 2002 by the San Diego-based label Three One G. The label, known for its roster of noise rock and avant-garde acts, presents a fractured relay of Queen’s catalog — from “Bohemian Rhapsody” and “Under Pressure” to “Bicycle Race” and “Crazy Little Thing Called Love.” Each track fractures the originals through the prisms of math rock and mathcore, with angular rhythms and abrasive textures interrupting familiar melodies.This compilation assembles a varied cast of artists from Three One G’s orbit, emphasizing discord and deconstruction over homage. The result is less a tribute than a reconstitution, where the operatic flair of Queen meets the frayed edges of early 2000s underground noise. The album’s 12,772 Last.fm scrobbles speak to a modest but attentive audience, drawn to its challenging approach to classic material.
How did this get here?
| SKU | SPOT-7A06pYWaXBZf6s5gSGUf8w |
|---|
Quick preview
Listen to a sample on YouTube — opens in a new tab; own this release here for the full listening experienceOpen this track on Spotify