Album lore

Cambio De Tercio, issued by Universal Music Spain in 2014, collects thirteen tracks that weave flamenco’s traditional forms with contemporary sensibilities. Pitingo’s voice, often marked by emotive intensity and a soulful timbre, navigates styles from tangos gitanos portugueses to bulerías and seguidillas. The album includes pieces like “Leilah” and “Sulema - Tanguillo,” offering a palette that touches on flamenco pop while retaining a sense of the genre’s intricate rhythms and phrasing.The record's arrangements reveal a dialogue between flamenco’s canonical forms and a broader emotional register, occasionally brushing against sufi influences. Tracks such as “Cante De La Roda De Sevilla - Fandanguillos Del Jilguero De Marchena” and “Moraíto En El Arco - Bulerías Cortas” demonstrate Pitingo’s engagement with both historic and contemporary flamenco idioms. Cambio De Tercio stands as a resonant artifact for those tracing flamenco’s evolving expression in the early 21st century.

Album lore

Cambio De Tercio, issued by Universal Music Spain in 2014, collects thirteen tracks that weave flamenco’s traditional forms with contemporary sensibilities. Pitingo’s voice, often marked by emotive intensity and a soulful timbre, navigates styles from tangos gitanos portugueses to bulerías and seguidillas. The album includes pieces like “Leilah” and “Sulema - Tanguillo,” offering a palette that touches on flamenco pop while retaining a sense of the genre’s intricate rhythms and phrasing.The record's arrangements reveal a dialogue between flamenco’s canonical forms and a broader emotional register, occasionally brushing against sufi influences. Tracks such as “Cante De La Roda De Sevilla - Fandanguillos Del Jilguero De Marchena” and “Moraíto En El Arco - Bulerías Cortas” demonstrate Pitingo’s engagement with both historic and contemporary flamenco idioms. Cambio De Tercio stands as a resonant artifact for those tracing flamenco’s evolving expression in the early 21st century.