In A Time Where Hope Is Lost, issued November 1999 on Alveran Records, assembles A Death For Every Sin’s vigorous metalcore and hardcore-punk in a compact eleven-track set. The band’s blend of relentless beatdown rhythms and metallic aggression is evident throughout, with “Memories Again” standing as a representative cut. The record’s terse titles—“Suffer the Loss,” “Born to Lose”—mirror its uncompromising tone, a marker of late-’90s underground metalcore scenes.Though never widely circulated beyond niche listeners, this artifact captures the era’s raw intensity and DIY ethos. The record’s modest presence on Last.fm, with under two thousand listeners, belies its resonance among those drawn to the intersection of hardcore’s urgency and metal’s weight. Alveran’s release preserves a moment when the genre’s contours were still coalescing, offering a document of a particular strain of late-’90s European hardcore.

In A Time Where Hope Is Lost, issued November 1999 on Alveran Records, assembles A Death For Every Sin’s vigorous metalcore and hardcore-punk in a compact eleven-track set. The band’s blend of relentless beatdown rhythms and metallic aggression is evident throughout, with “Memories Again” standing as a representative cut. The record’s terse titles—“Suffer the Loss,” “Born to Lose”—mirror its uncompromising tone, a marker of late-’90s underground metalcore scenes.Though never widely circulated beyond niche listeners, this artifact captures the era’s raw intensity and DIY ethos. The record’s modest presence on Last.fm, with under two thousand listeners, belies its resonance among those drawn to the intersection of hardcore’s urgency and metal’s weight. Alveran’s release preserves a moment when the genre’s contours were still coalescing, offering a document of a particular strain of late-’90s European hardcore.