Jaye P. Morgan’s self-titled 1976 release on WeWantSounds collects nine tracks that nestle comfortably within the AOR and yacht rock spheres. Though primarily known as a 1950s easy listening and jazz vocalist, this album offers a late-career pivot marked by smooth, laid-back grooves and polished arrangements emblematic of mid-’70s West Coast sensibilities. The featured track, "Keepin' It to Myself," exemplifies this shift with its restrained vocal delivery and crisp instrumentation.The record’s lineage traces back to Morgan’s earlier work yet embraces a contemporary sheen, blending the sentimental charm of standards like "Just a Gigolo" with original compositions steeped in mellow rhythms. While the session personnel remain undocumented, the production’s clarity and balance suggest seasoned studio hands attuned to the era’s soft rock currents. As a rediscovered artifact, this album offers a subtle signal from a transitional moment in Morgan’s career and the broader AOR canon.

Jaye P. Morgan’s self-titled 1976 release on WeWantSounds collects nine tracks that nestle comfortably within the AOR and yacht rock spheres. Though primarily known as a 1950s easy listening and jazz vocalist, this album offers a late-career pivot marked by smooth, laid-back grooves and polished arrangements emblematic of mid-’70s West Coast sensibilities. The featured track, "Keepin' It to Myself," exemplifies this shift with its restrained vocal delivery and crisp instrumentation.The record’s lineage traces back to Morgan’s earlier work yet embraces a contemporary sheen, blending the sentimental charm of standards like "Just a Gigolo" with original compositions steeped in mellow rhythms. While the session personnel remain undocumented, the production’s clarity and balance suggest seasoned studio hands attuned to the era’s soft rock currents. As a rediscovered artifact, this album offers a subtle signal from a transitional moment in Morgan’s career and the broader AOR canon.